Shinjiro Aragaki (荒垣 真次郎) (
themortalhalf) wrote in
compnetwork2012-10-22 06:46 pm
[Accidental Voice/Video ->Text; Backdated to Morning]
[The feed begins with noise.
It's sharp, sudden. No video, just the sound of something being roughly rummaged through, with no apparent concern about being quiet or subtle about the affair, before it's shoved away across some surface—falling. Hitting the floor. A box, maybe, with something in it.
Then, a voice: tense, frustrated, uneven, breathing rapid, shallow, and unsteady, words strained and laced with panic.]
Dammit.
Where did—
[More noise.
Then, abruptly, the video feed flickers to life. There's a glimpse of a hand touching the screen, shaking, before the device is quickly shoved away. It slides along the surface of an apparent desk, catching a brief glimpse of a ceiling as it tumbles onto the floor, landing not far away from a cardboard box and a beat-up looking radio. The room it lies in is one dimly lit—the only light provided is due to the streaks of sunlight peeking in from the gaps in the curtain and blind-covered window. Makes it hard to discern much in the way of detail, but it's enough to make out a bed shoved at an odd, jutting angle—nearly shoved up against the closet—with tangled covers. A sign of some sort in front of the long curtain that's covering (as anyone familiar with the layout of the apartments might deduce) the entrance to the balcony, and then, finally, an obscured half-view of the desk shoved against a door. There's more movement off camera, sounds of a drawer being pulled open and gone through, until, finally, there's a quieter sound—perhaps of a lid popping open and its contents retrieved— followed by a period of silence.
Not long afterward, Shinjiro finally steps into view, crossing the room and sliding slowly down onto his bed.]
Shit. Can't even—
[He looks down then, eyes settling on the COMP on the floor. He stares at it for a few moments, grimacing, before standing up again, movement unsteady, reaching down to swipe it up off the floor. If he notices the feed is still recording, he doesn't show it, and the feed, after a moment, cuts off.
Then, a few minutes later, a message:]
[Failed Filter/Private Message to the P3 cast]
i dont know where you all are but get back home and stay the hell inside
just do it alright
It's sharp, sudden. No video, just the sound of something being roughly rummaged through, with no apparent concern about being quiet or subtle about the affair, before it's shoved away across some surface—falling. Hitting the floor. A box, maybe, with something in it.
Then, a voice: tense, frustrated, uneven, breathing rapid, shallow, and unsteady, words strained and laced with panic.]
Dammit.
Where did—
[More noise.
Then, abruptly, the video feed flickers to life. There's a glimpse of a hand touching the screen, shaking, before the device is quickly shoved away. It slides along the surface of an apparent desk, catching a brief glimpse of a ceiling as it tumbles onto the floor, landing not far away from a cardboard box and a beat-up looking radio. The room it lies in is one dimly lit—the only light provided is due to the streaks of sunlight peeking in from the gaps in the curtain and blind-covered window. Makes it hard to discern much in the way of detail, but it's enough to make out a bed shoved at an odd, jutting angle—nearly shoved up against the closet—with tangled covers. A sign of some sort in front of the long curtain that's covering (as anyone familiar with the layout of the apartments might deduce) the entrance to the balcony, and then, finally, an obscured half-view of the desk shoved against a door. There's more movement off camera, sounds of a drawer being pulled open and gone through, until, finally, there's a quieter sound—perhaps of a lid popping open and its contents retrieved— followed by a period of silence.
Not long afterward, Shinjiro finally steps into view, crossing the room and sliding slowly down onto his bed.]
Shit. Can't even—
[He looks down then, eyes settling on the COMP on the floor. He stares at it for a few moments, grimacing, before standing up again, movement unsteady, reaching down to swipe it up off the floor. If he notices the feed is still recording, he doesn't show it, and the feed, after a moment, cuts off.
Then, a few minutes later, a message:]
[Failed Filter/Private Message to the P3 cast]
i dont know where you all are but get back home and stay the hell inside
just do it alright

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[Does he have to make a list?
Does he have to admit that he's scared shitless of today and tomorrow for her to get it? That he's holding everything in as best he can but he's a pretty shabby container for it, but has seen just enough to keep it bottled down beneath the surface for the most part. That he doesn't know why he's acting this way or if things are going to get worse or better. Just because other people behaving like him doesn't mean he's not going crazy—that they all are—maybe because of the illusionary fear of whatever it is that's going to drop out of the sky and flatten the world in a second attempt to bring about armageddon, or something more troubling and legitimate, like he and the others are all some kind of broken oracle that people aren't paying much attention to as they should.
It's all one big mess of unpredictability. And that isn't safe for anyone.]
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[Try and think about how this looks from her perspective for a minute, Shinji. Him admitting any of those things isn't going to make her want to go inside and comfort him any less.]
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But he sighs.]
You have your Evoker with you?
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It's in my apartment... Why?
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Go get it. I've felt like this once. Safer if you have it.
[It's not quite the same. There weren't voices. Didn't feel like the world was going to end. Anxiety didn't have time to build over a matter of days. But there had been panic and fear, and all it took was a spark to set it off like dynamite. If he's going to even contemplate letting her in, he's not doing it until he's sure she can defend herself quickly if something happens. He might not be able to feel much of Castor anymore, but there's no sense of trust between them. And she shouldn't be walking around without her Evoker in the first place, not right now. She can summon a Persona the new way, but a difference of seconds can mean a lot in the long run. It only takes seconds for something to go wrong.]
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Okay. I'll be right back.
[And she heads off. It'll only take a minute before she's back.]
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When he hears her come back (if it even is her—could be someone or something else for all he knows—he stares at the door and at the lock that's keeping it closed. Wants to put the table right back against it the door again like it might fall inward on its own now that it doesn't have something to support it.]
If anything happens, you get the hell out, all right?
[Because something will eventually. Just a matter of time. Might not be him, but it'll be something else, whatever it is that's coming to see that they all stop breathing, because it's too much to ask for the world to let him live a normal life for more than a month or two.]
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All right.
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Instead, it turns into a longer process. Paces around the kitchen, making sure nothing's moved since he last looked it over, before moving into his bedroom again. He makes sure everything's covered, closed, and locked, and once he's sure, he checks it again, just in case he missed something, ensuring everything's safe, before finally returning to the door. After a few seconds of internal debate, wondering if there's something more waiting outside the door besides her, waiting where she can't see because she doesn't get it like he does, he unlocks the door quickly, like it might burn him if he doesn't, and opens it before she can get any ideas of her own.
He all ready feels like he's made a mistake, and that he's compromised everything, but he can't take that back now. The door's open.]
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Are you feeling okay physically? [It's already obvious that his mental state is a mess, but she's not sure if there's pain or nausea to compound it somehow. He looks like a wreck regardless.]
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Yeah.
[There's nothing out of the ordinary there. Though he'd rather deal with physical symptoms than mental ones if he could choose. He can handle the former. But that would be too easy.
Now to put the table back. He can't leave it where it is.]
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Nothing's going to get through there anyway.
[...okay she can't avoid commenting on the table.]
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...Not that you can be extremely creative when it comes to defensively positioning a table against something. What he needs are miles of concrete and steel, and he doesn't have that, unless he'd like to construct an army of pots and pans, conscript them into haphazard cavalry doubling as an early warning system.
He doubts it'll hold worth shit, but it will buy them time. Maybe. Seconds.
He'd have moved the refrigerator, but that would have ruined the food. There isn't an outlet near the door.]
That's the point.
[The comment are almost automatic, and it takes him a few seconds to realize how that probably sounds, and shrugs his shoulders.]
Sorry.
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Don't be. It's not your fault.
[She's moving around now, inspecting the rest of the apartment. Trying to see what else he's done to the place.] How long have you been feeling like this?
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His room is a bit of a different story. But she'll have to get past the desk she'll find once she opens the door first.
He watches her wander around the room, keeping a few feet away, but following, eyes always darting around the room. He grimaces and shrugs again.] A few days.
[Though it hadn't been exactly like this. It had been tolerable then. Uncomfortable, but tolerable. Hadn't felt like he was standing on the edge of a cliff with only one way down with imaginary wolves on his heels.]
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Maybe if she can at least get him to lie down, he might feel less frantic.]
And it's been getting worse?
[whoops she's opened the door to his bedroom now...]
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His answer is silence, which is as much of a confirmation as anything. It certainly hasn't gotten better.]
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vaults over it like a bossstarts to push it out of the way. Pushing it back into the position it's supposed to be, actually. It's just a hazard the way it is now.someday, he'll graduate to stopping her for a full twenty minutes.]
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Everything else is out of place as the desk was, though most of his important belongings were shoved inside his desk—like his Evoker. There's the axe he got from Q in his closet propped up against the wall. His regular one is underneath his bed, which is shoved against the closet at an almost diagonal angle, because it wasn't about to fit inside the closet, so it might as well block it. The covers look like they'd been stripped off once for some purpose or other before Shinjiro had abandoned the idea. The cardboard box is still on the floor along with the radio. The glass and door to the balcony are shrouded by curtains.
He still doesn't say a word, just leans against the desk and watches her, her and the balcony door, just in case anything decides to come bursting through it, just to make his day.]
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Sorry Shinji, your redecorating job sucked.]
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And once she starts to move things, he inwardly flinches, because she can't do that. He had shoved them where there for a reason. Admittedly one that appeals to a very skewed sense of logic, but at least moving them to where he thought they should go, appealing to his apparent irrationality, removed a worry or two off his list. It's one less thing for his mind to dwell on, and as soon as she starts moving more of his things back into place he wants to put them back, because they're useless where they were before.
Useless. And they aren't serving a practical purpose like blocking the damn doors or creating an obstacle they'll have to get through. She's making things easier. And he doesn't want things to be easier. He can all ready see things going to hell without her making their eventual demise quicker.
She can't see what she's doing.
Of course she can't.
Everything's fine, and they should all be worrying about aesthetics instead, because whatever's coming is going to be pissed if his room doesn't look right. Might as well roll out the damn red carpet and pull out the welcome mat. He grimaces and shakes his head, breathing in and trying very, very hard not to stop moving his desk back where it should be. He shoves his shaking hangs into his pockets. Keeps them there.]
Leave everything where it is.
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...You can't live with it like this. There's no bed and you can't use the kitchen or the bathroom.
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If I need something, I'll get it.
[And it wasn't like things would stay this way for very long. There are only so many ways all of this can end, and by then, a disorganized room would be the least of anyone's problems—let alone hers. He knows what he hopes will happen, and knows what his mind is betting on. That makes two very distinct outcomes.]
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You're afraid something is going to come into the room, right? That's why you're blocking everything off?
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